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thesis technical university of denmark this country. On Imagism from Amy Lowell, Tendencies in Modern American Poetry (New York: Macmillan Company, 1917). Another leader who went by these American traits is, Ezra Pound. Though, through all of this he managed to make one of the most lasting impacts on American poetry, which any one poet has provided. Produce a poetry that is hard and clear, never blurred nor indefinite. As Matthew Arnold said of the grand style, "one must feel." It is possible to determine the work of different painters by their brush strokes, but such knowledge is for the expert alone, and then only for purposes of authenticity. I remember there was once a man went down To clean. Fundamental beliefs change art, but do not, necessarily, either improve or injure.
Other poets will come and, perchance, perfect where these men have given the tools. In poetry a new cadence means a new idea. One of the tenets in which all the poets of the present movement, Imagists and others, are agreed, however, is this abhorrence of the inversion. S goal was to distinguish imagists from symbolists, but most believed the name insinuated a relationship with French poets like Baudelaire and Mallarme. When Lowell first heard of the movement, she was intrigued that its name was French.
I might borrow a metaphor from another art and call it "faithfulness to the architectural line." Ornament may be employed, so long as it follows the structural bases of the poem. S movement the name?Amygism? Only then, does Daphne understand that it was not her physical beauty that Apollo was chasing, but just her essence. 1996 by The University of Michigan Press. It is not over; the movement is yet in its infancy. In addition to inventing a catchy name for the movement, Pound used two additional advertising strategies. S critical views inspired the movement, as imagists were revolting against the?careless thinking and Romantic optimism? As an aspiring poet, she now had to define herself in relation to the new movement (Dettmar/Watt). It is her talent." As William Pratt put it, "at the crucial stage of Imagist development one master propagandist was vanquished by another." Pound dropped the term imagism and dubbed Lowells movement "Amygism rudely dismissing her as a "hippopoetess. Pound was determined to keep what he called?our little gang? The last rule is very simple, it is that " concentration is of the very essence of poetry." A rule, indeed, as old as art itself, and yet so often what to do my research paper on lost sight of that it can hardly be too often affirmed.