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written. It is about Dante himself rather than his appearances in English. Griffiths is tough on Ezra Pound: "Pound's false estimate of the visuality of Dante's poem corresponds to another odd feature in Pound's pastiche of the Commedia - the absence of dialogue. I do not think I can explain everything, even to myself; but as I still, after forty years, regard his poetry as the most persistent and deepest influence upon my own verse, I should like to establish at least some of the reasons for. From: Nancy Gish log in to unmask To: log in to unmask, sent: Thu, customer satisfaction in airline industry thesis October 22, 2009 9:44:17. I think that from Baudelaire I learned first, a precedent for the poetical possibilities, never developed by any poet writing in my own language, of the more sordid aspects of the modern metropolis, of the possibility of the fusion between the sordidly realistic and the.
To pass on to posterity ones own language, more highly developed, more refined, and more precise than it was before one wrote it, that is the highest possible achievement of the poet as poet. Then, among influences, there are the poets from whom one has learned some one thing, perhaps of capital importance to oneself, though not necessarily the great contribution these poets have made. Contents, poems edit, ariel Poems (1931) Copyrighted in the United States until 2027. A point which every poet I knew had taken on board about Eliot was that when he read Dante he did so in the parallel text of the Temple. Nobody talks back to Pound in his 'Hell' cantos, what does music means to me essay any more than a symptom talks back to a diagnostician; nobody but Pound talks at all." He is enthusiastic about Osip Mandelstam's "incomparable" "Conversation about Dante which I am now resolved to read.
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